BeadersSecret
Professional Rethreader
- Joined
- Mar 23, 2006
- Messages
- 508
Hi Rokor, great thread
For me, functionality of a clasp is very important. For instance I have a vintage brass filigree clasp, oh boy the click of the tongue as it is inserted mmmm! It puts many modern clasps to shame.
The humble round bolt ring has been in use for hundreds of years, and still in use today ( all time favorite with me).
I have had made by my jeweller, a rose gold with garnet cabochon clasp, a solid opal and diamond clasp, both of these I dissect as I enjoy these on
different strands. I have a lot more favourites for different reasons and then their are the clasps that I can no longer source, that I can’t part with.
BUT this clasp really is up there as a favourite. I acquired this when I first started my business of stringing, I often look at the clasp in both design and the functionality of the tongue ( not like the usual one). I have kept the clasp in it’s original "as-worn" condition rather than reconditioning it, so that it keeps its story instead of becoming a shiny relic of the past.
I was pleasantly surprised to see the very same clasp in Anna Tabakhova’s Book.
I gave Anna’s book a rating of ten out of ten.
I often use the book as a reference, more often than not I just love to sift through the pages and ogle the clasps.
It is really terrific to have a comprehensive book on clasps that is well researched & written.
For me, functionality of a clasp is very important. For instance I have a vintage brass filigree clasp, oh boy the click of the tongue as it is inserted mmmm! It puts many modern clasps to shame.
The humble round bolt ring has been in use for hundreds of years, and still in use today ( all time favorite with me).
I have had made by my jeweller, a rose gold with garnet cabochon clasp, a solid opal and diamond clasp, both of these I dissect as I enjoy these on
different strands. I have a lot more favourites for different reasons and then their are the clasps that I can no longer source, that I can’t part with.
BUT this clasp really is up there as a favourite. I acquired this when I first started my business of stringing, I often look at the clasp in both design and the functionality of the tongue ( not like the usual one). I have kept the clasp in it’s original "as-worn" condition rather than reconditioning it, so that it keeps its story instead of becoming a shiny relic of the past.
I was pleasantly surprised to see the very same clasp in Anna Tabakhova’s Book.
I gave Anna’s book a rating of ten out of ten.
I often use the book as a reference, more often than not I just love to sift through the pages and ogle the clasps.
It is really terrific to have a comprehensive book on clasps that is well researched & written.