KIMA (Tridacna sp) Pearls

Last night, I could see pic in post #9 at home. Today, it's red X at work. It must be my office PC.
 
I can not see the picture in post #9 only a red X, but the picture in post #1 is ok.

Me too. We need to figure this out. Maybe Steve should try posting it with a one-word name for another test? ;)
 
Thanks and thanks to the forum that brought me the idea of that type of pearl and educated me ...
 
Trying saving your photos as jpegs before posting. That format is recognized by just about all computers.

Hi Anna
I can hardly wait to see what you do with that. You and Steve seem to pioneering kimas as jewelry (love that name!)- or at least the first I've seen!
 
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So many beautiful examples!

A quick question: How rare are Kima pearls? As rare as Conch or Melo Melo? Less? What kind of value is placed on Kima pearls?
 
From a dealer's perspective, I completely agree that 'Tridacna' is a less than attractive appellation for what is indeed a truly beautiful pearl. Other natural pearls such as the enchanting 'Melo' have names which hint at the true romance inherent in these stunning pearls, but 'Tridacna' sounds way too technical and indeed plain cold. Some stunning gemstones have suffered from a similar fate : spinel, for example, can be an absolutely breathtaking stone, but has been, and continues to this day to be hampered by its unattractive name.

In short, a re-branding of Tridacna makes sound commercial sense, and I will start to market some of my Tridacna stock on my website as Kima Pearls (tridacna species). Needless to say, I will follow this thread with great interest !

http://www.trocadero.com/OnlyNaturalPearls/
 

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Final reposting for the photo in Post 9 is done (no punctuation in the name). Let me know…

Only Natural: Appreciate the solidarity. Kima represents a fresh start for this gem, more consistent with its peers and with its quality. Sometimes the most sensible ideas are also the most obvious!

I would maintain 'Tridacna' for non-gem-quality, such as Pearl of Allah (in large and small versions) or plain-surfaced specimens that require lab analysis to differentiate from carved shell.

Regarding rarity, that goes hand in hand with demand, which at this point is spotty for this species. But the best quality, such as Only Natural's specimen above, has a steady if not ultra-high-profile clientele. Pricing at source is comparable with a wide range of naturals (per carat or per gram), to this point without a lot of differentiation per quality. That represents some opportunities for the savvy buyer.

Hubert Bari in Pearls and a popular EBay seller testify to the rarity, but do not manage to show top quality. These would not be an example of Kima to my thinking, although certainly they are Tridacna. Pricing at the EBay seller is also extremely low, but perhaps appropriate for the quality.

Another aspect of Tridacna is its occasional stand-in status for two of pearldom's most mythical pearls: Coconut and Nautilus. In the former case, pearls of plain white surface such as the one linked in the previous paragraph are proposed as calcified vegetal concretions, "mustika" objects fetching astronomical prices in the Indo-Pacific area. In the latter case, which we now propose as Kima with flame and chatoyant halo, 'carefully documented' examples have been traded commercially and/or certified as Nautilus by reputable gem labs—including the 'Nautilus' published in Bari's Pearls.
 
Received the pearl in post 9 today. Nothing doing. Under loupe, lots of tiny scratches on the back side indicating shaping if not outright carving, and the barely chatoyant top side has a very uneven, most likely abraded, surface.

But that was merely an accompaniment to this outrageous 15-carat oval/drop. If 'Kima' should be reserved for flamed and symmetrical Tridacna pearls, this easily qualifies.
 

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A kima lot originally collected for the production of a necklace, project subsequently abandoned, has served to provide more than a few pearls with which to try my hand at design. The lot, entirely symmetrical, includes rounds, drops, ovals, tall buttons and buttons. Taken together with a few other small lots on hand there is more than enough to have some fun.

Weekend recreation found me working exclusively with the buttons, for a one-sided station piece (left below). Thinking about a little color (in addition to stones and precious metal), I threw in the abalone. I like the organic richness it would add in contrast to the formal white of the kima.

The two kima upper left are misplaced, as they are similar in measurement and should be opposing rather than adjacent. These two buttons are shown close-up on the right (13x11.2mm and 13x10.5mm), each with flame/halo, in varying intensity.

My doubt is just how close two kima need to be to be regarded as a pair. I suppose it might be years finding out. Should 'pair' be the verdict, would it be best on its own as studs or cufflinks vs. the larger composition?
 

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Saved the file in a different graphics program, see if it helps. Also, will take advantage of this post to add that the two 'matching' pearls are from totally different sources and pearl lots.
 
Using firefox, able to see all the photos ok. Steve, what a fun project! Will need to sleep on it before commenting, tho-----Definitely like the abalone as contrast, but the wine colored background is a bit distracting.
Wouldn't it be great to solve this image mystery (re background, the man of the house is typically the last one to know where all the towels are, chose the first one I saw?propose to re-shoot with color of preference.)
 
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