mausketeer
Well-known member
- Joined
- Jul 7, 2008
- Messages
- 474
I've been looking at peacock Tahitians a lot lately (a lot of time on my hands) and I've realized something (please excuse me if this is obvious to the experts!). On the perfectly round pearls (and others but it's most obvious on round), peacock overtones ALWAYS flow in the same "direction" for lack of a better word: pink/red in the middle of the pearl, yellow, green, blue, purple. (rainbow). It's the same no matter WHICH way the pearl is turned, which of course indicates that the overtone colours are not actually ON the pearl itself, but is a result of the nacre (or is the concholin? Dave always talks about those two but it's a bit too technical) reflecting or refracting the light (I realized that the "middle" of the pearl would be the one that is the high spot and the light would hit that directly, and therefore would be red - the "thinnest" area of nacre for the light to get through - then would go down through the rainbow to the outside purple edges - thicker layer as it the light goes through almost sideways? Does this make sense?)
There was a question here somewhere.......not sure what it is...... I guess, why are peacock overtones so different than the other colours? Why does this stand out as such a..... distinct phenomenon? Any idea? Shouldn't ALL Tahitians that have overtones do the same thing?????
(again, if this is already a well known phenomenon, sorry! I was just so excited when I realized it I had to comment!)
- Jodie -
There was a question here somewhere.......not sure what it is...... I guess, why are peacock overtones so different than the other colours? Why does this stand out as such a..... distinct phenomenon? Any idea? Shouldn't ALL Tahitians that have overtones do the same thing?????
(again, if this is already a well known phenomenon, sorry! I was just so excited when I realized it I had to comment!)
- Jodie -